DOMACHROMA CELEBRATES THE ARTISTS, CREATORS, DESIGNERS, AND SCIENTISTS WHO EMBRACE COLOR MAXIMALISM

Creating The Unexpected
Jakob Mizrahi

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Jakob Mizrahi’s journey from classical pianist to  furniture designer is a testament to his artistic versatility. Trained as a classical musician, Jakob infuses his creations with a sense of rhythm and harmony, blending vibrant 80s aesthetics with modern functionality. Each piece, handcrafted using materials like wood and colorful vinyl, is a testament to his vision of transforming everyday objects into pieces of art.

Discover the playful mind in Jakob’s designs, where every piece tells a story of rhythmic beauty. When Jakob Mizrahi talks about design, it’s clear he’s not interested in overthinking or endless sketching. “It’s intuition all the way,” he says. For Mizrahi, the act of building—hands on materials, shapes taking form—is where the magic happens. He doesn’t follow trends or labels, and he certainly doesn’t worry about fitting into any particular movement. “Labels feel like cages.”

This same instinctive approach extends to his use of color. Mizrahi avoids neon as a dominant element, believing it can overpower and dull surrounding hues. Instead, he uses it sparingly, as an accent to elevate a palette. “Hot red with light lavender, baby blue with a punch of hot yellow—that’s the kind of balance I’m after.”

One of his favorite creations, a lamp titled “The Board of the Rings,” came from observing the circular patterns of a Copenhagen skyscraper. It’s emblematic of his belief that every design should have something that leaves a lasting impression. This focus on originality is central to his work. “Everyone’s copying each other these days,” he says with a trace of frustration. “Be bold. Stand out. Life’s too short for beige.”

Mizrahi’s background in music is never far from his mind when he designs. He describes his process as relying on the same principles. “It’s like composing a piece of music,” he explains. “Triangles playing off circles, bold against subtle—it’s all rhythm.”

Even his collaborations challenge him to think differently. A recent rug project required him to adapt his signature angular designs to the softer medium of fibers. “Rugs behave differently than wood or metal. Constraints like that spark new ideas,” he admits.

Mizrahi is currently preparing for a project with DomaChroma, including a custom color design using shades from a seven-color palette. “Give me some limits, and I’ll make it sing,” he says.

Through it all, Mizrahi remains focused on what he loves: creating bold, unconventional work that refuses to blend in. “Authenticity matters more than anything,” he reflects. “It’s what makes the work fulfilling.”

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DomaChroma curates interviews, profiles, and feature articles about color maximalists, and living in total color maximalism.

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